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Sunday, November 24, 2019

November 2019 Update

First of all, thanks to everyone who submitted a chapbook manuscript earlier this month.  We’ve started looking through them and will make some decisions on finalists by the middle of next month.  Once the finalists are notified, I’ll post something here (and elsewhere) updating everyone on the process.  The goal is to have manuscripts fully reviewed and decisions made on selections by the end of the year.

In the meantime, we have scheduled a poetry reading here in Tallahassee in conjunction with our friends at Hysterical Books, featuring two GBP readers: Kristine Snodgrass and Brendan Walsh.  It’s on Saturday, January 18, at the Indianhead Factory.  Details will be posted on Facebook.

Soon after, around the beginning of February, we’ll have our next chapbook from Jessie Janeshek.  We’ll have more details about that as we announce our publication schedule for 2020.

Have a happy Thanksgiving!  See you soon!

Posted by Scott • Permalink

Wednesday, October 30, 2019

2019/2020 Chapbook Open Reading Guidelines

The 2019/2020 chapbook season open reading starts just after Halloween. . . officially midnight (00:00 November 1).  Here are the guidelines.
—One entry per person.  No reading fee.
—Manuscripts will be read as “blindly” as possible, so please take your name off the title page.
—Manuscripts should have between 16 and 24 pages of poems.
—Email submissions to greybookpress (at) gmail (dot) com.  Subject line: “SUBMISSION - [LAST NAME] - [TITLE]”
—If you’ve had a chapbook published by GBP, you’re not excluded this time.  But if there are multiple GBP veterans among the “finalists,” only one will be considered for publication.
—Send submissions until 11:59 p.m. on November 14, 2019.
—Finalists will be notified before the New Year.  It’s likely that authors removed from consideration will not be notified.  Feel free to query by email as to progress of our review.  Finalists will be posted here.
—There will be at least one “winner” and one “runner up.”  The “winner” will receive an open-ended publication with 25 author copies.  The other accepted manuscript(s) could be limited editions of 50 (in which case, 15 author copies).

In selecting chapbooks for publication, we usually aim for “range” in making multiple acceptances.  For instance, the favorite/best/most resonant chapbook will be the “winner,” and other selected manuscripts will be . . . different (from the “winning” chapbook and one another). 

If you have any questions not answered/addressed above, let us know at the email listed above.

Good luck!

Posted by Scott • Permalink


Recently

We’ve been keeping things on the down-low for the past couple months.  There were a few off-cycle manuscripts to read and, with nothing in active production, we were also taking things easy before the beginning of the open reading period, which is a little over a week away (midnight after Halloween).  I’ll post the formal call here the day before (October 30) and then share on social media.  You won’t miss it (unless you want to). 

Get those chapbook manuscripts ready!

cont.

enchanted / in

Last November, by the time we started the open reading period for this year’s “season,” we’d already agreed to publish a chapbook by Nava Fader—a collection of poems loosely tied to the work of Rainer Maria Rilke.  I found her poems to be hypnotic and engrossing and definitely a voice separate from Rilke’s.  (Admittedly, I had limited experience with Rilke’s poetry.)  At the time of accepting her work, I let Nava know we’d schedule its publication once we got through the manuscripts in the open reading and made our selections.  Her chapbook was scheduled to come out toward the end of the “open reading season” chapbooks, rather than before. And here we are.

Nava uses lines from Rilke’s work as starting places for some of her poems.  Other poems are “false translations” of his.  I was drawn by the way the poems flow and the way simple words are combined to make new, unique compound words (like “vapormist,” “armsweep,” and “suntimes”) in several of the pieces.  There’s not an identifiable narrative thread running through the poems, but they are tied together by an exploration of language that weaves a story of its own.

From “Love Song (a false translation)”

“We are one halt
soul here, served neither
dinner nor rubles. Unrelenting
soul, grooved—so to speak—ditched
among ravenous animals girded

for riding, molting variously, and we call them
forlorn.”


You can (and should!) pick up a copy at the Titles page. Hell, pick up two copies.

cont.

We’re just a couple/few short days away from our next chapbook—enchanted / in by Nava Fader.  This one’s been a long time coming, and we (Nava, my saddle-stapler, and I) are really excited to share it with you.

The next chapbook on the schedule is from Jessie Janeshek, who has a full-length collection coming out in a couple months.  To avoid competing publication dates, we (Jessie and I) decided to delay her chapbook to be the first one of 2020.

So, the next event on the schedule is our open reading period (still slated to start around Halloween), although we (well, just me) are looking at a few off-cycle manuscripts.

Come back in a couple days for some more awesome poetry!

cont.

Ft. Lauderdale

The next GBP chapbook is “local” for our Florida-based press in a way that no other collection has been since our entrée into this market in 2009 (10 years . . . we should celebrate that or something). Fort Lauderdale by Brendan Walsh—-also based in South Florida—-imagines that part of the Sunshine State suffering all sorts of apocalyptic environmental peril.  At times it’s touching and harrowing and funny.  It’s a win / no-win situation, speaking to the truth that, most of the time, the Earth doesn’t appreciate us any more than we do the Earth.

From “poem about puddles while standing outside during a tropical storm”:

“about gray-water puddles
widening w/ rain
puddles as ocean spittle,
sea-phlegm, tide-piss

poem that
the lawns will be seagrass again
the dirt, sand again
the puddles, oh-oh-ocean again”


Pick up a copy from the Titles page.

cont.