June/July News Update

It took a little while, but we eventually managed to send out all of the orders for Jessie Janeshek’s No Place for Dames.  Thanks to everyone who ordered a copy and/or attended Jessie’s Zoom reading following the release.  Each order included a limited edition guitar pick, and we only have a few of those left.  Revisiting the book-making process was an adventure, but now we’re shifting back to our bread-and-butter (chapbooks).

The next chapbook is Chelsea Bodnar’s Snow Boat to Nowhere, which was promised by the end of the month.  However, as things were coming together, it seemed like we’d be launching right before the Fourth of July weekend, so I thought we’d hold off until July 5.  Plus, I wanted to make sure Chelsea had a chance to get her copies before the launch.  And then in about a month (targeting “early August”) will be another chapbook from Howie Good.  

I have one or two potential additions to the schedule that could be announced before our next “open reading,” which will be back to it’s “standard” Halloween kickoff.  

See you after the weekend . . . for our trip back to the Eighties!

Model Nostalgia

I talked about the story of this book’s inception in my post last month, but now we’re here at the launch date.  I’m really excited that No Place for Dames is finally coming out.  For the “official” listing (out in the “world”), Jessie wrote a synopsis that I could definitely not improve upon, so I present it here:

“From the 1920s to the 2020s, from Hollywood to West Virginia hollers, these poems bind your hands in the alley behind the drug store, shove you underneath the sheets of a sweaty canopy bed, and hand you the Ouija board.  But your absurdist best friend is cheating; she’s moving the planchette.  It’s all dead deer, sequins, stiff drinks, bad sex, and sunglasses and Dames probes what it means to be anything besides a straight white man in a straight white man’s world.  Just in time.” 

From “Bitters + Soda”:
“I live like it’s fine to pop pills all day
my chapped hands gold
foggy glasses and cold sex at the whammy bar.
I cough into frankincense
as I walk through empty pharmacies
ask which cheap lipstick pairs
best with my astrological sign.”

You can purchase a copy on the Titles page.  They’ve been on sale since last week, and orders have been coming in steadily.  We have a limited number of guitar picks Jessie designed for the launch that will ship with copies until we run out.  Copies will ship as soon as we receive our initial batch in a few days (following a last-minute fix and production delay).  

May 2022 Update

My first time reading Jessie Janeshek’s poetry was during the 2015/2016 Open Reading period.  I don’t think I’ve ever asked how Jessie heard of the press, but her chapbook manuscript (for Spanish Donkey/Pear of Anguish) set a high bar that year.  Hers was the “winner” and the first chapbook we published in 2016.  We went on to publish two more of Jessie’s chapbooks (Supernoir and Channel U).  I don’t pick favorites from among the GBP stable of authors, but I did tell Jessie somewhere along the way that she could let me know if she ever had a full-length manuscript she wanted us to consider.  And that’s just what she did about a year ago.

No Place for Dames will be the second (ever!) full-length from Grey Book Press.  The book went through several revisions (and a few different titles) to reach its final form, which will be available June 7.  There will be a Zoom reading about a week after the launch.  Details are available on Facebook (we’ll post a link to the event on our page there).

Also, later in June, we’ll have our next chapbook . . . Snow Boat to Nowhere by Chelsea Bodnar.  Deeper into Summer, we’ll have a chapbook from Howie Good.  

I’m not sure about the timing of the next Open Reading period.  Last year, it was right at the end of Summer, but I suspect this year, it’ll be back closer to the “traditional” Halloween kickoff.  I think we may have some “offseason” developments that could impact the schedule.  We’ll let you know when we know.  In the meantime, see you in a couple/few weeks!

Adrift Together

The first chapbook of 2022—from last Autumn’s open reading period—is The lost tribes by Patrick Reardon.  This one had a lot of the elements that I look for in a poetry manuscript.  Feeling.  Evocative imagery.  Some humor.  Winks at tragedy, and subversion.  Pop culture and history.  Cohesion.  In fact, the chapbook is essentially one long poem.

The opening section is sort of a meditation on the human condition.  Patrick says that this section was written first, “capturing how everyone is caught in a chaotic, unfair, yearning mechanistic existence.”  He says he was inspired to write about the “kinship” he felt with the people he sees when he travels around his home in Chicago.  Subsequent sections of the chapbook delve into his painful childhood and that of his brother, continuing through his brother’s difficult life and suicide.  But he often returns to the touchstone of the “tribe.”  “In every section,” Patrick says, “me, him, you, and anyone reading it and everyone around us are lost and also in a common tribe—adrift together.”

From Section 5:

“They found me
invisibled,
checked-off,
unpersoned,
salt-pillared,
erased,
eradicated,
disappeared,
but fed, clothed, diaper-changed
—proprieties must be observed.”

 

“The lost tribes” is available on the Titles page.

February 2022 Update

We’re coming back from the Holidays a little later than hoped. It shouldn’t really be February before we start our year, but here we are.

The original “plan” was to have a chapbook from Patrick Reardon out by now, but it’s only a week away.  There was some overlap in working on Jessie Janeshek’s book, which is still set for Spring.  And that will be followed by some Summertime chapbooks from Chelsea Bodnar and Howie Good.  

See you next week!

November 2021 Update (Winners Edition)

Yes, it’s been a while since the start of the open reading period back in August.  Initial reading of manuscripts took us through September and into early October.  We notified finalists and made our final decisions last week.  We had six finalists and wanted to limit accepted manuscripts to two or three.  Thanks to everyone who submitted, and sorry we couldn’t accept more.

So, early next year, we’ll have a chapbook from Patrick Reardon, with more chapbooks in the Summer from GBP veterans Chelsea Bodnar and Howie Good.  Why such a long gap between?  Well, we’re doing our second ever full-length.  This time it’s GBP superstar Jessie Janeshek.  I feel like this is one of the books we were meant to do, and I’m glad it’s going to happen.  That will be a Spring release.

More updates in the coming months as things develop.

October 2021 Update

We’ve been slowly making our way through the manuscripts received during the open reading period that ended a little over a month ago.  We’re hoping to be able to contact and announce our finalists in the next week.  Thanks for your patience.

By the end of this month, we should have our schedule more or less set for the first half of 2022.  

UPDATE:  Finalists have been contacted, and the plan is to make our selections by the end of the month and announce everything in early November.  

Open Reading Guidelines (August 2021)

The 2021 open reading period starts at midnight August 17 and runs through 11:59 PM August 31.  That’s the “standard” two weeks.  Here are the guidelines:

      • One entry per person.  No reading fee.
      • Manuscripts will be read as “blindly” as possible, so please take your name off the title page.
      • Manuscripts should have between 16 and 24 pages of poems.
      • Email submissions to greybookpress (at) gmail (dot) com.  Subject line: “SUBMISSIONS – [LAST NAME] – [TITLE]”
      • There are no limitations this year for authors who have had a chapbook published by GBP.  
      • The goal is to choose at least two manuscripts for publication with a maximum of five.  Runs will either be open-ended with 25 author copies or limited limited editions of 50 (in which case, 15 author copies). 
      • The goal is to notify all finalists by sometime in October.  We likely will not notify you if you are not a finalist, but feel free to check with us after Halloween if you haven’t heard anything.  Updates will be posted here.

In selecting chapbooks for publication, we usually aim for “range” in across accepted manuscripts.  For instance, we may choose a favorite, or “winner,” that would be the best/most resonant manuscript, and other selected manuscript(s) would be “different” from that one in some way.  If several are chosen, ideally, they’d be different from one another.

If you have any questions not answered/addressed here, let us know at the email listed above.

Good luck!

 

August 2021 Update

Just a quick update that the promised Open Reading period kicks off on Tuesday at noon.  Guidelines will be posted this weekend (honestly, it’ll be late Sunday).  In early/mid-September, we’ll have a more comprehensive update.  Things are happening!  

Small and Fierce

The final chapbook from last year’s open reading period is Small and Fierce by Andrea Fischer.  It’s the type of collection that we have a soft spot for . . . a story of growing up and finding a place in the world.  A story of finding love (hard love, intense love) and losing love.  Andrea takes us to Europe and back.  She introduces us to tenderness and brutality, and the many points in between.  

From “Both Small and Fierce”:

“There is your hand, yes—
now skimming my breasts,

then patting, listening now—
waiting for the tumblers to click,

a burglar curled up in my lap,
hungry, wanting more.”

 

This chapbook is limited to 50 copies, so don’t wait too long and miss out!  Visit our Titles page to pick one up.