Good Time Summer Time

Next up for the long, hot Summer is another chapbook from Howie Good, The Horses Were Beautiful.  It’s appropriately oppressive-sun-colored orange.  (Side note: Up to now, our covers aren’t “professionally” printed, though we do a lot of full-color printing on white.  For this one, we got to go old school, with black on cover stock.)

As with the previous GBP chapbook from Howie, this one is full of poetry narratives.  Not exactly sunny and optimistic, the pieces often reflect the world that is (and was) in language at once humorous . . . and grim.  Sort-of stark and engaging snapshot-stories. 

From “Re: Vision”:  “‘I’ll lick stamps,’ I told the gargoyle from HR during the job interview. ‘I’ll lick whatever you want.’  He shook his big, ugly head no.  And as quick as that, I found myself back on the street.”

Pick up a copy now on the Titles page.  You can also get Howie’s previous chapbook, What It Is and How to Use It.

August News Update

Our next chapbook, The Horses Were Beautiful by Howie Good, is set for its release this coming Monday (three days from now).  We’re ahead of the game on its production (this time), but late letting you all know.  But now you know.  

Hoping to have more to announce in September.  Things are in motion.  The wheels are turning.  And the open reading period is still set for just after Halloween.  

 

Vice

Our next chapbook is Snow Boat to Nowhere by Chelsea Bodnar.  A couple years ago, in her chapbook Our Home Can Be a Dangerous Place, she took us on a journey of the world of the videogame BioShock.  This time, Chelsea invites us to explore Miami Vice in all its gritty, pastel-and-gunpowder glory.  The Eighties were wild; I can tell you first-hand.  Miami Vice was geared to kids my age (and their parents), though I didn’t really watch much of it.  But I recognize the “heroes” on the show (Crockett and Tubbs), and of that time, are more typical of antiheroes today.  Chelsea’s poems here are wrecked with them, along with all the beautiful beaches and shootouts and crime that you could pack into an hour with commercial breaks.

“spine snapped / from car chase // death just means / there’s no / interrogation // I read once / that wind speed / can turn feathers / into knives // cast styrofoam / to bullet // so in a way / it’s natural / what happened”

This one’s now available on the Titles page.  You don’t even need a gun or a speedboat or a pile of blow.  

June/July News Update

It took a little while, but we eventually managed to send out all of the orders for Jessie Janeshek’s No Place for Dames.  Thanks to everyone who ordered a copy and/or attended Jessie’s Zoom reading following the release.  Each order included a limited edition guitar pick, and we only have a few of those left.  Revisiting the book-making process was an adventure, but now we’re shifting back to our bread-and-butter (chapbooks).

The next chapbook is Chelsea Bodnar’s Snow Boat to Nowhere, which was promised by the end of the month.  However, as things were coming together, it seemed like we’d be launching right before the Fourth of July weekend, so I thought we’d hold off until July 5.  Plus, I wanted to make sure Chelsea had a chance to get her copies before the launch.  And then in about a month (targeting “early August”) will be another chapbook from Howie Good.  

I have one or two potential additions to the schedule that could be announced before our next “open reading,” which will be back to it’s “standard” Halloween kickoff.  

See you after the weekend . . . for our trip back to the Eighties!

Model Nostalgia

I talked about the story of this book’s inception in my post last month, but now we’re here at the launch date.  I’m really excited that No Place for Dames is finally coming out.  For the “official” listing (out in the “world”), Jessie wrote a synopsis that I could definitely not improve upon, so I present it here:

“From the 1920s to the 2020s, from Hollywood to West Virginia hollers, these poems bind your hands in the alley behind the drug store, shove you underneath the sheets of a sweaty canopy bed, and hand you the Ouija board.  But your absurdist best friend is cheating; she’s moving the planchette.  It’s all dead deer, sequins, stiff drinks, bad sex, and sunglasses and Dames probes what it means to be anything besides a straight white man in a straight white man’s world.  Just in time.” 

From “Bitters + Soda”:
“I live like it’s fine to pop pills all day
my chapped hands gold
foggy glasses and cold sex at the whammy bar.
I cough into frankincense
as I walk through empty pharmacies
ask which cheap lipstick pairs
best with my astrological sign.”

You can purchase a copy on the Titles page.  They’ve been on sale since last week, and orders have been coming in steadily.  We have a limited number of guitar picks Jessie designed for the launch that will ship with copies until we run out.  Copies will ship as soon as we receive our initial batch in a few days (following a last-minute fix and production delay).  

May 2022 Update

My first time reading Jessie Janeshek’s poetry was during the 2015/2016 Open Reading period.  I don’t think I’ve ever asked how Jessie heard of the press, but her chapbook manuscript (for Spanish Donkey/Pear of Anguish) set a high bar that year.  Hers was the “winner” and the first chapbook we published in 2016.  We went on to publish two more of Jessie’s chapbooks (Supernoir and Channel U).  I don’t pick favorites from among the GBP stable of authors, but I did tell Jessie somewhere along the way that she could let me know if she ever had a full-length manuscript she wanted us to consider.  And that’s just what she did about a year ago.

No Place for Dames will be the second (ever!) full-length from Grey Book Press.  The book went through several revisions (and a few different titles) to reach its final form, which will be available June 7.  There will be a Zoom reading about a week after the launch.  Details are available on Facebook (we’ll post a link to the event on our page there).

Also, later in June, we’ll have our next chapbook . . . Snow Boat to Nowhere by Chelsea Bodnar.  Deeper into Summer, we’ll have a chapbook from Howie Good.  

I’m not sure about the timing of the next Open Reading period.  Last year, it was right at the end of Summer, but I suspect this year, it’ll be back closer to the “traditional” Halloween kickoff.  I think we may have some “offseason” developments that could impact the schedule.  We’ll let you know when we know.  In the meantime, see you in a couple/few weeks!

Adrift Together

The first chapbook of 2022—from last Autumn’s open reading period—is The lost tribes by Patrick Reardon.  This one had a lot of the elements that I look for in a poetry manuscript.  Feeling.  Evocative imagery.  Some humor.  Winks at tragedy, and subversion.  Pop culture and history.  Cohesion.  In fact, the chapbook is essentially one long poem.

The opening section is sort of a meditation on the human condition.  Patrick says that this section was written first, “capturing how everyone is caught in a chaotic, unfair, yearning mechanistic existence.”  He says he was inspired to write about the “kinship” he felt with the people he sees when he travels around his home in Chicago.  Subsequent sections of the chapbook delve into his painful childhood and that of his brother, continuing through his brother’s difficult life and suicide.  But he often returns to the touchstone of the “tribe.”  “In every section,” Patrick says, “me, him, you, and anyone reading it and everyone around us are lost and also in a common tribe—adrift together.”

From Section 5:

“They found me
invisibled,
checked-off,
unpersoned,
salt-pillared,
erased,
eradicated,
disappeared,
but fed, clothed, diaper-changed
—proprieties must be observed.”

 

“The lost tribes” is available on the Titles page.

February 2022 Update

We’re coming back from the Holidays a little later than hoped. It shouldn’t really be February before we start our year, but here we are.

The original “plan” was to have a chapbook from Patrick Reardon out by now, but it’s only a week away.  There was some overlap in working on Jessie Janeshek’s book, which is still set for Spring.  And that will be followed by some Summertime chapbooks from Chelsea Bodnar and Howie Good.  

See you next week!

November 2021 Update (Winners Edition)

Yes, it’s been a while since the start of the open reading period back in August.  Initial reading of manuscripts took us through September and into early October.  We notified finalists and made our final decisions last week.  We had six finalists and wanted to limit accepted manuscripts to two or three.  Thanks to everyone who submitted, and sorry we couldn’t accept more.

So, early next year, we’ll have a chapbook from Patrick Reardon, with more chapbooks in the Summer from GBP veterans Chelsea Bodnar and Howie Good.  Why such a long gap between?  Well, we’re doing our second ever full-length.  This time it’s GBP superstar Jessie Janeshek.  I feel like this is one of the books we were meant to do, and I’m glad it’s going to happen.  That will be a Spring release.

More updates in the coming months as things develop.

October 2021 Update

We’ve been slowly making our way through the manuscripts received during the open reading period that ended a little over a month ago.  We’re hoping to be able to contact and announce our finalists in the next week.  Thanks for your patience.

By the end of this month, we should have our schedule more or less set for the first half of 2022.  

UPDATE:  Finalists have been contacted, and the plan is to make our selections by the end of the month and announce everything in early November.